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Jean-Auguste Dominique Ingres
Louis-Fancois Bertin
mk87
1832
Oil on canvas
116x95cm
Paris,Musee National du Louvre
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Jean-Auguste Dominique Ingres
Comtesse d-Haussonville
mk29
1845
Oil on canvas
131.8x92cm
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Jean-Auguste Dominique Ingres
Madeoiselle Caroline Riviere
mk156
1806
Oil on canvas
100x70cm
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Jean-Auguste Dominique Ingres
Valpincon Bather
mk156
1808
Oil on canvas
146x97cm
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Jean-Auguste Dominique Ingres
La Grande Odalisque
mk156
1814
Oil on canvas
101x134cm
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Jean-Auguste Dominique Ingres
Mme Moitessier
mk156
1856
Oil on canvas
120x92cm
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Jean-Auguste Dominique Ingres
The Turkish Bath
mk156
1862
Oil on canvas
1862
Oil on canvas
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Jean-Auguste Dominique Ingres
Portrait of Count Guryev
mk159
1821
Oil on canvas
107x86cm
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Jean-Auguste Dominique Ingres
Madame jacques Louis Leblanc
mk161
Oil on canvas
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Jean-Auguste Dominique Ingres
The Virgin crowned
mk166
1859
I Wave on cloth 69x50cm Galeria Tamenage, Tokyo
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Jean-Auguste Dominique Ingres
The vote of Luis XIII
mk166
1824 I Wave on cloth 421x262cm Cathedral of
Notre-Give me, Montauban
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Jean-Auguste Dominique Ingres
Mrs. Moitessier
MK169
1851 oil Paint on doed 146.7x100.3cm National Gallery or Art
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Jean-Auguste Dominique Ingres
Odalisk with slave
MK169
1842
oil Paint on cloth 71x100cm
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Jean-Auguste Dominique Ingres
The Turkish bath
MK169
1859-63 Shut down, diameter 108cm Louvre Paris
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Jean-Auguste Dominique Ingres
Monsieur de Norvins
mk170
1811-1812
Oil on canvas
Laid dwon on papel
97.2x78.7cm
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Jean-Auguste Dominique Ingres
Madame Moitessier
mk170
1856
Oil on canvas
120x92.1cm
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Jean-Auguste Dominique Ingres
The Entry of the Future Charles V into Paris in 1358
1821
Oil on canvas,
47 x 56 cm
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Jean-Auguste Dominique Ingres
Monsieur Bertin
1832
Oil on canvas,
116 x 95 cm
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Jean-Auguste Dominique Ingres
The Sword of Henry IV
832
Oil on canvas,
36 x 28 cm
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Jean-Auguste Dominique Ingres
Princess de Broglie
1851-53
Oil on canvas,
121 x 91 cm
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| Jean-Auguste Dominique Ingres
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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